A record store is reaching for my wallet again. The new album, Arm’s Way by the Islands is out on 19 May. I’m going to have to buy it, along with their first album Return to the Sea. I wish I came across this band from Montreal sooner.
Islands are descendants of The Unicorns. I found some tracks from their ancestor’s 2003 album Who will Cut our Hair when we’re Gone at Covert Curiosity, its interesting to hear their pedigree.
I have to admit I initially wanted to hear Islands based on their photo. Stumbling on multi-ethnic bands is rare, but thankfully becoming more common; Bloc Party, Get Cape Wear Cape Fly, and Mala (hehe) come to mind. Its only a good thing. Naturally I don’t base my music on race, but I love musicians breaking racial stereotypes. Sadly I think there are still race problems in music.
You can hear in their music a range of international influences. They’re also chums with Arcade Fire and the raptastic Canadian Cadence Weapon. Islands’ songs are catchy and clever, what more could you want?
Can a passion for kit cars lead to assembling great music? Well it seemed to work with Leon Jean-Marie. The east Londoner, who’s family originate from St. Lucia is certainly starting to get a lot of attention. Island records plucked up the uber talented multi-instrumentalist and the world now waits in anticipation for his debut album Bent out of Shape to be released on 7 July.
For some reason Island are trying to genreise Leon Jean-Marie as Wonky Pop. He is better than that. Much better. Alphabeat is Wonky Pop, and they are awful.
His first single Scratchproves this man makes no ordinary music. I’m not sure how to define it, maybe Prince meets Skunk Anansie? Decide for yourself.
Bed of Nails, his latest single, produced by Mark Ronson, is completely different to Scratch, but also brilliant. Its more like the Beatles meet Blur. Check out the vid:
Do you like experimental? Well The Chap are about as wacky as you can get. They are about to release their third album, Mega Breakfast, at Hoxton Bar and Kitchen on 13 May. I reckon they might even be too cool for Hoxton. Some blogs, like Keytars and Violins are already hailing this as an album of the year.
Keys, cello, violin, computers and melodica are amongst the north Londoners’ instrumental forces. Lyrically, you won’t find many others singing “Come on, come on cloner; clone me another me, my generation needs another me”.
Is Brooklyn going to be the Brit School of America? Are we going to get bored? Not if you compare Vampire Weekend, MGMT or Beirut with Leona Lewis, The Feeling or The bloody Kooks.
Its all gone topsy-turvy. Brooklyn is producing great British music. The Brit School is churning out American dross.
They sound like a great British band, but Grizzly Bear come from, yes, Brooklyn. Radiohead love them and so do I. They have three EP/Albums out, with Yellow House and Friend both receiving critical acclaim.
Listen to He Hit Me (and it felt like a kiss), for interest, 60s girl group The Crystals made the original. Released in 2006, Knife is an older, but oh so fantastic, song. Super trippy video too:
At 19, Ben Garrett is creating massive music envy amongst bloggers. The Londoner is making seriously hot music as frYars. His silky voice and Morrissean melodies fit snuggly with catchy and thoughtful electro pop. Although not convinced with the quality of their youtube outing, frYars is pally with Esser, and their sound is quite comparable.
frYars has two EPs; The Ideswas received well and lead to a tour with Goldfrapp. His latest, thePerfidyshould continue to propel frYars to greater recognition still.
I ran into the frYars at The Blue Walrus. The Ides features in their excellent Snazzy No. 10 mix. I’m still looping this fantastic track. Check out the video with the weird lamps:
Is Brooklyn going to be the Brit School of America? Are we going to get bored? Not if you compare Vampire Weekend, MGMT or Beirut with Leona Lewis, The Feeling or The bloody Kooks.
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